Author Interview: Tasha Madison #ya #fantasy #historicalfantasy #historicalfiction #fabricofageneration #authoracademyelite #authorinterview #FridayFeature @theTashaMadison

Today, I’m fortunate to present Tasha Madison, author of Fabric of a Generation.

Hi Tasha, thanks for agreeing to this interview!!! 

Question 1) What part of the world do you come from? 

(I’ve lived all over, but) I’m from Seattle, Washington.

Question 2) What do you think makes a good story? 

As a reader, my expectations are genre-specific. A crime novel needs suspense. A romance novel needs passion. However, as a writer, I believe a good story requires a bit more … Thoughtful planning. Attention to detail. A penchant for crafting relatable characters. 

Question 3) What inspired you to write your first book? 

Like most things, for me at least, I was inspired to write my debut novel, Fabric of a Generation, while watching TV or doing some mundane household task. The seed of the idea came to me inextricably in a flash. Over time, the story germinated as I cultivated the plot and started to develop the various characters. 

Question 4) What is your work schedule like when you’re writing? 

Immersive! When I am writing, I tend to neglect all other things. I narrow my focus, and I submerge myself into the world I am creating. My sister sometimes has to send me text reminders to eat. I completely lose track of time. My family jokes that they forget what I look like until I emerge from my writer’s haven with a manuscript in hand. 

Question 5) What would you say is your interesting writing quirk? 

When I am feeling less than inspired (aka writer’s block), and I am having difficulty typing out the words I want to say on my laptop, I always revert back to pen and paper. It works every time! There’s something about scribbling your thoughts by hand that forces you to overcome distractions and think more thoughtfully about what you wish to say.

Question 6) Give us the title and genre of your latest book. 

My book is called, Fabric of a Generation. It is a family saga that morphs into a historical fantasy novel.

Question 7) What was one of the most surprising things you learned in creating your book? 

I was surprised most by the different perspectives I received from book cover designers. It’s always interesting to see how others interpret your brainchild. 

Question 8) Do you have an excerpt from your current work you’d like to share? 

Here is a 3-page excerpt from the end of Chapter 5:

Miranda navigated through mountains of gaudy souvenirs and meaningless tchotchkes. Although she did not search for anything, in particular, she inexplicably followed her curiosity. She opened a trunk sullied with age but found nothing but old textbooks and sports memorabilia from when her parents attended college. 

After scouring heaps of other junk stuffed under shelves or inside cabinets, Miranda gave up her impromptu quest. She somberly headed back toward the faded rocking chair but, before she could complete her return to boredom, her feet collided into something on the floor.

She partially caught herself but not without her head converging with one of the unfinished floorboards. Thankfully, her hands, forearms, and feet managed to brace her athletic frame from any real injury. Miranda shook her head from side to side as if cleaning out cobwebs from a derelict piece of furniture.

“Ow!” she bellowed to herself, more embarrassed than hurt. 

She circumspectly raised her body and turned to see what had caused her to stumble. An unmarked cardboard box rested on the edge of her right foot. 

“Stupid box!” Miranda chastised, kicking the inanimate object with the force she generally reserved for one of her soccer matches.

As her foot disciplined the carton, the flaps of the box thumped open and spilled some of its contents onto the attic floor. Miranda, still angry, stooped down to inspect the items. She first examined a forest green book tied closed with a mint-green, silk ribbon. When she unfastened the ribbon, the volume burst open to uncover a cookbook printed in 1946. The original owners had treated the book as a historical catalog to chronicle issues affecting their family, stuffing it with newspaper clippings, holiday greetings, sympathy cards, and several handwritten recipes. The tattered spine of the worn book and shredded edges of the pages annoyed Miranda. She casually leafed through the cookbook, unimpressed. Then, she sloppily retied the ribbon and cast the book aside.

Next, Miranda flipped through a stack of cards and crafts she and her brother had made for their parents over the years. She found greetings they had created for Mother’s Day and Father’s Day as well as childhood doodles that had once decorated the kitchen fridge. What a bunch of junk! Miranda thought as she skimmed over the other items on the floor.

Miranda started to scoop everything up and dump it back into the now-crumpled cardboard square when she glimpsed a tuft of fabric out of the corner of her eye, tucked into the edge of the askance box. She gingerly released the wedged fabric, revealing a vibrantly colored shawl.

Miranda, entranced by the dramatic swirls of color and romantic wisps of woven thread, held the cloth in her hands. She observed its alluring charm like an anthropologist who had made a discovery of a rare find. Although large and almost cape-like, the shawl had delicately feminine features.

The dyed strands elegantly incorporated tinges of flushed and pale hues. Flaming orbs of color cast a deep summer glow on the design. Miranda inhaled the golden opulence until her eyes settled upon a mystery thread used parsimoniously like brilliant flashes of sunlight. Her gaze continued to the gossamer-like layers of embroidery where the hem of the shawl met the passionately intricate layers of fringe.

She gently ran her hands over the hemstitching, brazenly admiring its beauty. Then, she smiled and rapidly jumped to her feet. She stood in front of the vintage, full-length mirror nestled in the corner. Although the glass had heavy mottling, she could still visibly see herself. She swung the shawl around her body, letting the dance-like movement of the fringe parade across her shoulders.

“What happened to my reading glasses, dear?” Miranda asked her reflection in a venerable tone. “I can’t find them anywhere!” she proclaimed. “Did I put them in my pockets? No? Maybe in my purse? Oh, wait. They’re right where I left them … on the top of my head! I guess I am too ancient to remember!” she sneered as she chuckled at her rendition of her grandmother’s flagrant absentmindedness.

Suddenly, a shadow flickered across the edges of the mirror and interrupted her mirth. Miranda flinched. Her fingers grew cold. She felt a gust of air and shuddered uncontrollably. She wrapped the shawl around her trembling body, crossing her arms over her chest for additional warmth. She stared into the center of the mirror and examined it. The shawl that had once mesmerized Miranda now seemed to numb her entire body.

Confusion emptied her mind. Her eyes became useless. Shadows flashed before them. Miranda caged her eyes and tossed her head rapidly from side to side in an attempt to free it from the muddled images that settled there. She searched for clarity but found nothing until slowly, very slowly, she opened her eyes and saw candles flickering on the walls around her, exposing a slender corridor.

Question 9) What can we expect from you in the future?   

I love all things history. So, you can expect a lot more historical fiction from me.

Question 10) What was the best money you ever spent as a writer? 

The best money I ever spent as a writer was on a vintage Royal typewriter. Sometimes, when I need to court the muse, I’ll bang on the keys from time to time. It makes me feel connected to past writers and all of the unwritten stories that remain within so many people that have yet to be told. 

Question 11) How can we contact you or find out more about your books? 

You can reach out to me via any of my social media channels or online at: www.FabricofaGeneration.com.

Instagram: @thetashamadison

Twitter: @theTashaMadison

Facebook (Author Page): https://www.facebook.com/theTashaMadison

Facebook (Book Page): https://www.facebook.com/FabGenBook

Amazon.com Pre-Order Link:

Barnes & Noble Pre-Order Link:

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Know Flohr Demons with Mackenzie Flohr

Genese Davis and Mackenzie Flohr reveal fantastic options for turning pain into passion and taking your writing or artistic project to the next level to open Season 2 of The Storyteller Chatcast. Grab the attention of readers, watchers and consumers around the world using these women’s insider tips, tricks, expert advice. Instead of dreading unfortunate real-life experiences, learn how to transform them!

https://t.co/u4OmIJ5tbR

Calling YA Fantasy Reviewers & Bloggers

IydgluWy_400x400Audiobookworm Promotions is organizing an audiobook blog tour for The Rite of Wands, a Young Adult Fantasy Novel.

The tour will run from Nov. 27th to Dec. 3rd and have a maximum of 11 stops.

The Rite of Wands is narrated by Chris Walker-Thomson and is 6 hours and 57 minutes in length.

Reviewers will receive complementary digital copies of the audiobook via Author’s Direct.

Review copies will be distributed by Oct. 27th. Reviews must be of at least 3.5 stars.

Post options for this tour include: Reviews, Spotlights, Audio Excerpts, Author Interviews, Dream Casts, Music Playlists, Character Interviews, Character Profiles, and a giveaway.

Would you like to partake in the tour?

Join The Rite of Wands Audiobook Blog Tour!

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Signups end on Nov. 21st.

 

 

Interview with @MatthewJElliot1! @bigfinish @DoctorWho_BBCA @bbcdoctorwho @DWMtweets @SawbonesHex @GSear @MrHolness #DoctorWho #bigfinish #audiobooks #interview #doctorwhoislife

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Okay, this one I’ll admit I’ve been hanging onto for quite sometime, waiting for the perfect opportunity to post. And with it being 7 days till the new series of Doctor Who, now, is perfect.

Next up is the intriguing Matthew J. Elliot, an audio scriptwriter for Big Finish Productions. Today he’s here to discuss Doctor Who, the 6th Doctor, and his compelling audio drama The Lure of The Nomad.

Welcome!

Question 1) What part of the world do you come from?

I’m from the North-West of England. It’s not the end of the world, but you can see it from where I live.

Question 2) When did you become a fan of Doctor Who?

I’ve been aware of Who ever since the Pertwee era. I have memories of the original broadcast of The Sea Devils, and of Tom Baker’s first story. The Hinchcliffe era frightened the bejeezus out of me, and eventually scared me away. I returned to the show infrequently, but I didn’t become a regular viewer again until Destiny of the Daleks.

Question 3) Who is your Doctor?

DOCTOR WHO: VENGEANCE ON VAROS: GENERICThe Sixth. I grew up with the Third and Fourth, spent my teenage years watching the Fifth, but from the very beginning of The Twin Dilemma, the Sixth seemed like the perfect distillation of everything I’d come to expect from the Time Lord. Intelligent, childish, gentle, cranky, egotistical and selfless. He is, to me, the Doctor’s Doctor.

Question 4) Congratulations on the release of The Lure of The Nomad from Big Finish Productions. How did this opportunity come about?

511sPpuXZBL._SX331_BO1,204,203,200_It was by no means an overnight thing. I’d been writing for American radio for about 15 years, and sending CDs of my stuff to Big Finish without any response for about ten. It was when I wrote the book Lost in Time and Space (soon to be republished by Telos!) that I finally got their attention and was asked to submit some possible plotlines for a thirty-minute episode to be included on the You Are the Doctor release. Unfortunately, that e-mail went straight into my junk folder without my ever seeing it! Thank God they wrote again to ask why I hadn’t replied.

Question 5) I’m really interested in the whole behind-the-scene process. Do you approach Big Finish with a story idea, or do they contact you and state they want you to write a story for such-as-such Doctor?

thAs a relative newbie in the Big Finish world, it’s maybe different for me than for more established writers. I’m lucky to have had several offers in the past few years, although I recently contacted a script editor about an idea that had been kicking around in my head. You have to be aware, however, that the script editors have commissioned work for several years in advance; you can only hope that they’ll file your idea away and come back to it when a gap opens up in the schedule.

Question 6) What inspired you to write this story?

The only thing I was initially told was that a solo Sixth Doctor was required. A lot of inspiration came from watching the most recent Alien movie. It concerned a colony ship, where the crew had, as usual, placed themselves in suspended animation. I began to wonder whether there might not be a more efficient way of cutting the time down, perhaps by having time running at different rates inside and outside the ship.

Question 7) How did you prepare to write for Colin Baker’s Doctor?

I’ve been preparing for years! My Sixth Doctor DVD collection (and, before that, my video collection) has been watched, re-watched and then re-watched to the power of fifty! In this particular instance, though, I had The Two Doctors playing as I wrote, to try and capture the feel of the era. I became intrigued by Dastari’s line about several Androgums being sent back in time and never recovered. I wonder what became of them. There’s a Sweeney Todd tale there, waiting to be told…

Question 8) The plot twist involving the character Mathew Sharpe is one of the best I have heard in a Big Finish audio. Did you build the story around that twist or did that come about as you were writing the story?

William_Riker,_2383Once I was putting my ideas together, I was informed by the script editor that a temporary companion would be required, with the emphasis on “temporary.” By lucky coincidence, I was already thinking along the same lines, drawing inspiration from an episode of Star Trek: TNG, in which the characters all awaken with amnesia and a new character has suddenly cropped up, one whom they all assume is just another crewmember, but who turns out to be an alien interloper. Also, Riker and Ensign Ro totally do it, but that’s unrelated to my story. Mathew Sharpe was originally Daniel Speedwell, but there was a Daniel in something else Big Finish had coming up, so a change of name was necessary. Alan Barnes was very keen that it be a two-syllable biblical name. “Judas” was obviously a little too on the nose, and during our e-mail exchanges, he became very keen on the name “Matthew.” Obviously, I didn’t want people to think I was so egotistical as to name the Doctor’s companion after myself, which is why he’s very insistent that it’s spelled with one “t.”

Question 9) Have you written for other Doctors before, and if so, who is your favorite to write for?

I’ve written Dead to the World, Maker of Demons and The Silurian Candidate for the Seventh Doctor, Zaltys for the Fifth and Backtrack for the Tenth. Dead to the World, which was essentially my audition piece, was selected out of a number of plotlines as one that would suit the planned story arc in which the TARDIS was searching for Mel without the Doctor’s knowledge.

dwmr216_makerofdemons_1417_cover_mediumFor Maker of Demons, I was simply presented with the current team of the Seventh Doctor, Ace and Mel, and asked to devise a plot, which turned out to be a more complicated matter than I anticipated. My original idea was some akin to Enemy of the World and The Armageddon Factor, but lacked a hook, and – equally importantly in Who – any monsters. It was script editor Alan Barnes who suggested The Tempest as a possible source of inspiration, and the story changed noticeably as a consequence. Unfortunately, in my interview at the end of the CD, I unintentionally gave listeners the impression that I’d written an unsatisfactory script in its entirety and had to go back to square one. That certainly wasn’t the case – Big Finish wouldn’t allow me to write one word unless the proposal met with their approval. It was the proposal that was reworked, not the script.

For Zaltys (originally entitled The Feast of Beltane, until I had to admit there was no good reason why the planet in the story should be named Beltane), I was again given the lineup – The Fifth Doctor, Adric, Nyssa and Tegan – and a notion of the placement within established continuity. I threw a few ideas at Alan, and he suggested that a couple of them could be melded together to make one whole adventure.

bfpdwcd229_the_silurian_candidate_cd_dps1_cover_mediumThe Silurian Candidate was the first story where I had a more detailed recipe – I had to include the Silurians, and the story couldn’t take place in the present day. Straight away, I suggested a post-war Jamaica setting, in which the Doctor would encounter a young Ian Fleming, but this was nixed before I even came up with a story. For one thing, the tropical setting was too similar to the Sixth Doctor audio Bloodtide. In the end, the professional conspiracy theorists I’d used as an element in Maker of Demons provided the answer: what if the world really was run by lizard-people, and those lizard-people happened to be the Silurians?

Favourite to write for? Colin, but there are still a few Doctors out there I haven’t tackled yet.

Question 10) Do you have a favorite story you have written?

thelureofthenomad_image_mediumProbably The Lure Of The Nomad, because it’s structured like a detective story (which is my natural environment), and all the pieces fit together so well. I wish that Maker of Demons got more love. Perhaps I’m prejudiced because it was my first four-parter, but I feel there’s a lot of good stuff in there. My colleague and occasional co-writer Ian Potter says it feels as though I feared I might never get another chance to write for Who, so I put as much in there as I could, and that’s a fair observation. Is the mention of the Fourth Doctor’s comic strip companion Sharon Davies necessary? Not in the least. Am I glad I included it? Hell, yeah.

Question 11) What is the biggest challenge writing for an audio production versus print?

I’ve written three hundred radio dramas, so maybe for me the question should be the challenges of print versus audio. The real challenge is that what one audio production company wants might be very different from what another requires. It’s necessary not to be too precious, therefore, in order to meet their demands and get your work produced. Any audio production is, by its nature, a collaborative venture. Producers and script editors have their requirements, the BBC is, by necessity, protective of its product, and understandably there are elements that won’t make it into the script.    

Question 12) What can we expect from you in the future?  

BBC_Radio_Collection_Further_Adventures_cassette_coverWell, the inevitability of death haunts us all. Before that, I’m adapting a number of classic children’s novels for US radio, as well as writing a serial entitled The Autumn of Terror for the long-running American series The Further Adventures of Sherlock Holmes. As you can probably guess from the title, this story involves Holmes’ investigation of the Jack the Ripper murders, and involves more research than I’ve done at any time for anything.

And, of course, there’s RiffTrax, the online comedy experience created by the makers of Mystery Science Theater 3000. I’ve been writing and performing material for them for the past ten years, most recently with the assistance of fellow Big Finish writer Ian Potter.

Question 13) How can others find out more about you and your work?

Imagination Theater, the Seattle-based company who produce The Further Adventures of Sherlock Holmes (and all the other series for which I’ve written over the last 20 years) has a YouTube channel, where episodes can be heard every week. You can also find my author’s page on Amazon, and purchase – among other things – my two authorised spinoff novels, Big Trouble in Mother Russia and Big Trouble in Merrie Olde England. Both are, of course, continuations of the cult movie, Bad Lieutenant: Port of Call New Orleans. No, wait, I mean Big Trouble in Little China. Oh, and you could even visit RiffTrax.com and download everything with my name on it. That would be very generous of you, and a reminder of how nice it is to be wanted.   

 

How You Can Participate!

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Author Interview: J.E. Reed #fantasy #newrelease #runningwiththewolves @J_E_Reed_author @bhcpressbooks

Today I’m fortunate to present J.E. Reed author of Running with the Wolves.

Question 1) What part of the world do you come from? 

JE_ReedI live on the outskirts of Cincinnati, OH.

Question 2) What do you think makes a good story? 

Character. I love it when a story develops a character through adversity. Watching as someone grows up or grows stronger and gets through whatever they are facing is inspiring and I never get tired of it.

Question 3) What inspired you to write your first book? 

I’ve always had a passion for writing, but oddly enough it was gaming that inspired my first published work. The new craze is virtual reality and we’ve seen movies/books that depict people in that environment, but the technology is always involved. I wanted to create a story where people are trapped in a sort of gaming world, but without technology’s interference. Kind of ironic, I know.

Question 4) What is your work schedule like when you’re writing? 

Messily organized. I’m a pantzer, which means I don’t outline and just write on the fly. My characters determine the direction of the story. Naturally, this has its draw backs as I’m forced to write more drafts to get everything right, but I feel like the story has better flow when I just let my imagination take over. I strive to write 3000 words a day when I’m working through a draft.

Question 5) What would you say is your interesting writing quirk? 

Sticky notes, they’re everywhere.

Question 6) Give us the title and genre of your latest book. 

Running with the Wolves is the title of my fantasy debut novel and I’m very excited to share it with the world.

Question 7) What was one of the most surprising things you learned in creating your book? 

Running with the Wolves has a medieval setting. Due to this I’ve done research on that era, but I’ve also done a lot of research on various survival methods and tools. One of the more interesting things I learned was how to pick up someone who is dead weight. Have you ever tried to pick someone up from the ground? It’s hard and if you’re in a situation where you have to move fast, it creates a problem. There is a roll technique that enables you to grab the hurt/unconscious individual and stand with them on your shoulders. Yes, I’ve practiced this haha. You can check it out here: https://www.youtube.com/watch?v=KPrATJ-u5Rg

Question 8) Do you have an excerpt from your current work you’d like to share? 

Chapter 1

Unknown

Realm: 1

Day: 1

Running_With_the_Wolves_JE_Reed.jpg

Lying in bed, the chatter caused her mind to stir from that blissful place that lingers on the edge of dreams. It was too loud, too early. She rolled over, the fog slowly clearing as voices turned to song, birds greeting the morning sun. Strange how they’d never woken her before.

She groaned, reaching for a pillow, but something stung her fingertip, and she jolted. A small droplet of blood formed on the tip of her index finger. Her heart thundered as she looked at the culprit and then her surroundings.

This wasn’t her room.

Instead of cool sheets and a soft bed, she lay on dead leaves and grass, the musty forest scent filling her nostrils. White walls were replaced by an endless array of trees that blotted out the sun, save for a few rays that fought their way through.

 

 

She blinked, pushing herself up.

Am I still dreaming?

Her finger pulsed as she scanned the vicinity, and fear crawled into her mind.

Nothing.

No fire, no tent or tracks. Nothing that indicated civilization existed.

Surely someone had to be here, someone could explain—wait, had she been abducted?

Who would want to kidnap her? Why wasn’t she bound if that were the case? The list of reasons for waking in the middle of a forest were slim. Abduction, a lapse in memory, a vacation gone horribly wrong.

She stood, using a tree for support, but dizziness rocked her back. She leaned her head against the trunk, waiting for the spell to pass.

Small specks flew across her vision. Abduction seemed the most likely of scenarios, but where were her captors? Could a drug explain her lapse in memory?

The last thing she could recall was dressing for bed. The girl examined herself, pleased to find shorts and a tee-shirt rather than pajamas. Brown hair hung loose around tan shoulders, and nothing around her wrists indicated she’d been bound. The only odd possession she carried was a little bracelet with leather threaded around a small blue stone. White veins traced a sky-colored surface like cracks of lightning.

Unease settled in her gut at the name etched on its surface.

Kiuno

It was a surrogate name. Something she used for gaming and online activities. Few knew her—

She paused. Her name. She couldn’t remember her name…

What’s going on?

Her throat tightened as she slumped against the tree again, fighting back tears. She was alone and didn’t know her own name. What were the odds?

She took a deep breath, trying to steady her racing heart.

Stay calm.

A forest in mid-summer wasn’t so bad.

Summer? Wasn’t it only January?

Her heart pounded faster as she realized one of two possibilities. Either time had passed without her knowledge, or she was further from home than she imagined.

Calm down. Think.

Summer, okay. Food would be easy. She’d a spent a lot of time camping and experimented with a few survival techniques. That would help as long as she could remember them.

She glanced back at the name on her wrist. She tried to picture her husband calling when dinner was ready or when he needed her to fetch something from the house, but every time the recollection came close it eased away again. Like a cloud hanging over her mind. Maybe she’d recall it later. For now, Kiuno would have to do.

Knee-high foliage surrounded large trees, and fur covered vines snaked their way up the trunks. Thick air caused sweat to roll down her neck. She needed to find water.

Kiuno made her way through the foreign forest and allowed herself to become lost in its beauty. Heavy, snarled roots spread across the ground, connecting each tree in an endless network. Small animals eyed her with curiosity before scurrying beneath the brush.

It would have been the perfect painting.

Hours passed, and the temperature continued to rise as mosquitoes and other insects nipped at her skin. Beauty was turning to nightmare.

Kiuno stopped to catch her breath and plopped on a fallen log. Sweat rolled down her face as she tried to lift her hair for some relief. She was no stranger to the outdoors, but didn’t remember camping ever being so miserable.

She looked at the sun. Had someone noticed her missing yet? Surely her boss would call home regarding her absence. Her husband would know something was up.

Standing, she took another breath, wiped the sweat from her brow and started walking again, the dry patch in her throat a nagging reminder. Using the tree roots, Kiuno slid down a small hill and finally heard the sound she’d been searching for. Running water.

She made her way around a few more trees to find clear water cascading down a rocky cliff that stood twice the size of any person. The river stretched twenty feet across and flowed with a steady pace. Thick brush and cattail lined the bank, and a large piece of rock lay just below the falls, its previous fixture visible above.

Rushing to the water’s edge, Kiuno cupped her hands, the cool liquid easing her scratchy throat. She splashed more on her legs to ease the itchy bites.

Deep colored pebbles lined the river bank with small water plants growing between them. Little fish played among the foliage and larger stones. If she could catch one that would resolve her growling stomach.

Before worrying too much about food, Kiuno hoisted herself onto the fallen rock, slipping a few times on the green moss. She looked down river, hoping for some sign of civilization, but it only renewed her sense of dread. Forest extended for miles.

Her stomach flipped, and she sank down, drawing her knees into her chest.

Trapped. Alone.

Kiuno stayed there for some time wrestling with ideas. She had water, first priority taken care of. The river would provide food, and it wasn’t as though she’d be there forever.

Despite some optimism, her nervousness grew with the looming shadows. Beings seemed to form and vanish as evening played on her fears. It was too late to build a fire, but at least a tree would be safer than the ground.

Glancing between branches, Kiuno found one that split, creating a nook just big enough for her to squeeze in. She rested her back against the biggest branch and watched the orange glow dip below the horizon. Her stomach growled, her skin itched, and every sound made her jump and recheck her surroundings. She curled into herself, trying to reason the shadows were nothing more than the reflections of trees.

Question 9) What can we expect from you in the future?   

Currently, I’m working on the sequel to Running with the Wolves and I hope to finish it as a trilogy. Beyond that I have ideas for dragons, kitsune and pirates. It’s just a matter of picking which one to work on first.

Question 10) What was the best money you ever spent as a writer?  

A developmental editor. There is literally no better money spent. They’re not your friends and they know what to look for. A good editor will tell you what needs to be fixed and they aren’t afraid to hurt your feelings. You might think your book is good enough, but give it to a good developmental editor and they’ll make it shine.

Question 11) How can we contact you or find out more about your books? 

Visit my publisher’s website www.bhcpress.com to learn more about me http://www.bhcpress.com/Author_J_E_Reed.html and Running with the Wolves http://www.bhcpress.com/Books_Reed_Running_With_the_Wolves.html

Love social media?

Facebook: https://www.facebook.com/J.E.Reed.author/

Twitter: https://twitter.com/J_E_Reed_author

Instagram: https://www.instagram.com/jereed_kiuno/

 

Author Interview with J.W. Garrett, author of Remeon’s Destiny @garrettjlw @bhcpressbooks #ya #fantasy #scifi

Today I’m fortunate to present  J.W. Garrett, author of Remeon’s Destiny.

Question 1) What part of the world do you come from?

DjMPNbfU8AIIWgtI live in the Jacksonville, FL area, but I’m originally from Lexington, VA.

Question 2) What do you think makes a good story?

There are so many elements that need to be blended together to create a great story: fully developed characters with needs and desires, lots of conflict, and a strong emotional connection throughout the story especially.

Question 3) What inspired you to write your first book?

For as long as I can remember I’ve written, at first, poetry and short stories. Thomas, the main character in Remeon’s Destiny was inspired by my father, who also wrote poetry throughout his lifetime.

Question 4) What is your work schedule like when you’re writing?

I set a writing goal for each day and write six days a week.

Question 5) What would you say is your interesting writing quirk?

My characters routinely wake me up during the night, so when that happens I write, often late into the early morning. It can make for some really long days!

Question 6) Give us the title and genre of your latest book.

Remeons_Destiny_JW_Garrett_FC_WebRemeon’s Destiny; YA Fantasy / Sci fi. It’s the first in a series titled, Realms of Chaos.

Question 7) What was one of the most surprising things you learned in creating your book?

I would say how emotionally attached you become to your characters and world. It’s a little disconcerting, especially to those around you, so I’ve been told…

Question 8) Do you have an excerpt from your current work you’d like to share?

Link to blog post: https://bhcpresspublishing.com/2018/06/19/read-an-excerpt-remeons-destiny-by-j-w-garrett/

Question 9) What can we expect from you in the future?

Well, Book 2 in my YA fantasy series is in the editing process. I’ll begin plotting book 3 in the very near future.

Question 10) What was the best money you ever spent as a writer?

Editing for sure! That extra set of eyes from a different perspective is a true gift!

Question 11) How can we contact you or find out more about your books?

Visit me at my publisher’s website – link below to my author page

https://bit.do/Garrett-RemeonsDestiny-order

Twitter: https://www.twitter.com/garrettjlw

Goodreads: https://www.goodreads.com/author/show/17913503.J_W_Garrett

Facebook: https://www.facebook.com/jennifergarrettwriter

Website: https://www.jwgarrett.com

Instagram: https://www.instagram.com/jlwgarrett

Interview with artist & writer, @sophilestweets! @18thWall @DWMtweets @DrWhoOnline @WhovianLeap @bbcdoctorwho #DoctorWho #DoctorWhoIsLife #DrWhoArt #DoctorWhoFanart #DoctorWhoMagazine #Tuesdaybookblog

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In today’s edition of Time And Relative Developments In Stories, I sit down with the very talented artist and writer, Sophie Iles, whose work has appeared in kOZMIC Press’ Children of Time: the Companions of , The Time Travel Nexus and multiple charity works.

Welcome!

Question 1) What part of the world do you come from?

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The British Part! I grew up in Slough in the United Kingdom, a name those may recognise as the town the Original UK series of The Office was based. I have also lived in Bristol (The location of St. Luke’s University in the more recent Series 10, and where I believe in Big Finish, Alex, Susan’s son lives in The Earthly Child) and quite a few other locations including Cardiff, Aylesbury Milton Keynes and Chesham.

I’m currently back in Bristol and enjoying this artistic and creative part of the UK.

Question 2) When did you become a fan of Doctor Who?

formackenzie_2I became a fan of Doctor Who very late. I was 19 when I discovered Doctor Who for what it was. Doctor Who was something in the UK you grow up with, even during its wilderness years. You all know about the Daleks, you all know your parents hid behind the sofa. But in 2005 that became less nostalgia and more prominent to a child’s intake of sci-fi. It just wasn’t something you could easily ignore.  Personally, I somehow succeeded in doing into my late teens.

I had been a fan of everything and anything I could get my hands on as a child–Star Wars, Harry Potter and Lord of the Rings to name a few. But I didn’t think I was geeky enough for Doctor Who. Boy, was I wrong.

By the time I was at university, I was lovingly nicknamed K-9 by a friend, and curiosity got the better of me. By the end of that year I became a fan just in time to watch David Tennant regenerate, my first episode being The Waters of Mars, and I’ve not looked back since…

Question 3) Who is your Doctor?

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I always find this a tough question because there isn’t a Doctor I dislike. I love them all for their own qualities and what they bring to the role.

I think the moment they announced Peter Capaldi, however, I was completely hooked. I loved the idea of Peter playing him. I was reminded of William Hartnell, who seemed cranky and abrasive at first but was soothed by his supportive companions. I hoped this would be the case for his character too, if they went down that route. By the time Peter’s three years were up I didn’t want him to leave.

He had been there for me through four house moves, a family death, and multiple life issues. When I met him in London to sign my Series 9 DVD I able to tell him how important his Doctor meant to me.

He just smiled gratefully and said “Isn’t that what television’s for?”

I will never forget that, and I will always see him as my Doctor because of it.

Question 4) Congratulations on recently being featured in the Doctor Who Magazine! It is unfortunate I cannot get the magazine where I live. How did that opportunity for you come about?

formackenzie_5Honestly, It was as much as a surprise to me as anyone! I have been actively drawing scenes and characters from the recent Classic Doctor WhoTwitch, at least one drawing a night. A few weeks ago, I was asked if one of my pieces could be used on the Doctor WhoTV to blog about the wonderful reactions to the Twitch shows. You can find the link here!

I didn’t expect that however to extend to the Magazine itself. I didn’t know if this was due to someone emailing in regards the piece, or if it was the editor’s choice to illustration the Galaxy Forum page. Either way I was beaming from ear to ear when I found out!

Question 5) You have drawn a number of Doctor Who pieces. What has been your favorite and why?

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It’s a difficult question, mostly because every recent piece is my favourite. It’s often for different reasons. Sometimes I prefer the original drawing over the finished piece, sometimes it’s the colouring.

I think, just because of the sheer scale, my most recent piece is my favourite.  It’s all of the Doctors together. It took considerable time and effort to produce to a high standard (I mean, 14 figures fully drawn isn’t the easiest thing in the world) but it was worth every second.

I also think my London 1965 piece might be my second favourite. I had been trying to simplify my designs for a long while, and it was then I really caught that essence when I drew Ian and Barbara against the brick wall. Luckily in both cases lots of people seem to agree!

Question 6) I always find it intriguing to learn about an artist’s technique. Can you share a bit about what goes into drawing a piece like this? Time frame? Skill? Software used?

In terms of what I draw, some of my favourite artists/designers/creators are listed below. I highly recommend all of these people as inspirations.:

  • Quentin Blake
  • Hergé
  • Ronnie Del Carmen
  • Vera Brosgol
  • Bill Watterson
  • Pete Docter
  • Pascal Campion
  • Nick Sharratt
  • Glen Keane

When it comes to process: both of these pictures were created the same way. There’s a rough I draw. In the case of Ian and Barbara, I drew them in my sketchbook at work, looking at old pictures of the show. Most of my main issues with drawing is posing and gesture and making sure that’s clear. I’m always learning and practicing and understanding so my sketchbooks are incredibly rough. Once that’s done I take a photo and put it into Adobe Photoshop when I get to my computer at home. I’m also fortunate enough to have a Cintiq. This is like a tablet, except is actually a separate screen I can draw straight onto. This way I ink and tidy up my sketches in black, before then using layers to colour behind. I usually colour drop straight from pictures I’m referencing, or if there are some colourisations. Then, adding shadow, lighting (and if necessary a background).

For the Ian and Barbara picture, I didn’t really want to add all the detail of a brick wall, so I decided to use a texture layer and implied it instead, which I think for the style works quite well.

I can draw straight into the computer, but I really like drawing in my sketchbook too as it feels like a more organic process.

Question 7) I understand you are also a writer. When did you start writing?

I have always wanted to be a writer. I actually wrote this statement on a primary school worksheet I had found a few weeks ago, which made me beam with pride. I think it started with my nan. She was a wonderful storyteller who would tell me Greek myths and legends from a very early age, and I would read all of her strange books regarding fables and legends. I’ve always been drawn to storytelling, whether through illustration or writing.

I didn’t really get into writing until I entered my last year of university. I wanted to find a way to make sure my story worked for my animation courses short film module and a friend suggested I join their Drama Society’s creative writing group. I wrote short plays for the university, which were performed. Though it was a slow start from there, I never stopped coming up with ideas for dramas. I just wasn’t very good at completing them.

It was being part of 18th Wall Productions that gave me the courage to start submitting to their short story submissions and getting involved in writing. I love to get involved in creating stories and believable characters, and I love the idea that I get to– as a writer– share emotions and worlds with someone else. Wherever that’s a world we think we already know, or a new one.

Currently I’m working on quite a few writing projects, submissions and some of my first original works, so I can finally truly consider myself a writer.

Question 8) You have written articles about Doctor Who for 18thWall Productions and The Time Travel Nexus. Can you elaborate on what these are and why you chose the subjects you wrote about?

Just under three years ago, I was sort of thrust upon, without knowing at the time, the founders and CEO of 18thWall Productions. It was just a casual chat about Doctor Whoand other interests, but they clearly saw something in me that I hadn’t seen in myself.  One of the highlights of last year was being able to meet a lot of those related to 18thWall at LI Who 5, which was almost just as exciting as being in America itself.

The-Racoonteur-Roundtable-Logo-1600X1600Professionally, I was a guest on one of their discussion sections on their podcast The Raconteur Roundtable, which was an amazing experience as it also meant I was able to ask Big Finish’s Scott Handcock questions as part of their team, a link to which you can find here: http://www.blogtalkradio.com/raconteurroundtable/2017/06/28/rr-13–the-bard-on-gallifrey–scott-handcock-big-finish-productions

It then led to for a small time helping run their blog, talking with their writers and editing their posts. It was around then they asked that if I had something I wanted to write about they would happily like to know what and see if it would work for them. I offered watching the Classic Doctor Who Series and talking about it as a series of articles, with some fresh perspective as someone who didn’t know the Classic Series very well. They loved the idea.

At the end of last year, The Time Travel Nexus also contacted me and asked if I wanted to write something for Peter Capaldi’s send off, something which I was happy to do and to draw something for it. I don’t think I would be where I am now, writing and drawing so publicly, without their constant support and guidance.

Question 9) What inspired you to create the short story for kOZMIC Press’ Children of Time: The Companions of Doctor Who?

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I’ve always wanted to write something for Doctor Who in a way that wasn’t just a review. A few of my friends had mentioned to me that there was someone looking for writers for this charity anthology. Even though all of my favourite companions were already taken, I decided to apply to see if Rigsy was a possibility. Rigsy was the first male companion who’d really felt like part of an adventure since Danny Pink, and even then, I didn’t count Danny as a companion. Rigsy was also the companion to the companion, as Clara played the Doctor’s role in that episode, proving she could handle the adventures on her own without her alien friend. I always felt that more could be done with Rigsy, and I always wanted to know what happened to him. This was my chance to write something!

At first I was just a placeholder, as they were hoping to get someone else involved in Rigsy’s creation, but I was ecstatic when they asked if I was still interested. I had a month to write something, but as the condition was positivity about the character I just wanted to share ideas on the Rigsy we never got to know. We knew he was engaged and had a daughter, so I decided to look at it from her perspective– a look at someone who loved him dearly. So, with the idea of wanting to commemorate the life of Rigsy and his life’s work, something the Doctor suggested would be great, I had her write the foreword to a book about his life as a famous graffiti artist.

I also offered to draw some illustrations for the book, including illustrating my own. I was very proud of the drawings I gave them. I am particularly fond of an illustration of the Brigadier and his daughter Kate and his grandson Gordon Lethbridge Stewart on a polaroid. It fits the writing (by Hilary Hertzoff) that went with it very well.

Also, the charity it supported was Furkids, Georgia’s Largest Animal Rescue and No-Kill Shelter which I was glad to be supporting. You can find a link to this book here!

Question 10) Do you have an excerpt from any of your writing you’d like to share?

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This is from an upcoming release with 18th Wall Productions, in an original anthology from the story “A Single Wolf, Grey and Gaunt.”

He couldn’t really be a ghost, Timmy thought. His form seemed solid, unwavering against the waves as the tide tried to come in. Lancelot didn’t quite seem real. as though you could easily step through him if you looked at him in a different light. Perhaps it was because it was dark. Timmy wasn’t sure.

That hadn’t however stopped him from rushing forward with the stick in his jaws, head held high before placing it at Timmy’s feet.

“You want to go again, huh?”

The dog heeled, his head held high. Not a sound left from him. Timmy laughed, this large boyish sound bubbling from his chest.

It surprised him. When was the last time he’d laughed?

Question 11) You’re currently putting together a Doctor Who fanzine. Can you tell my readers more about this project and how they may be able to participate?

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Well, due to the success of Twitch, and the love discovered for Ian and Barbara, I had an idea. I couldn’t help thinking how lovely it would be to share some art and stories about these two much loved companions for everyone to see in a printed format. I put out some feelers to see if anyone was interested in supporting this and it sort of exploded on social media, so I decided to make it official.

So anyone out there reading this who wants to contribute, yes, I’m looking at you! If you love Ian and Barbara and want to share stories or illustrate about what happens to them in their lives, why don’t you submit?

I’m looking for stories and artwork within three major stages of their lives: Life before the TARDIS, the times during their adventures, and then after they get to London 1965. I’m looking for small stories about their lives, or full scale adventures. As for the art, I’m looking for some art to highlight these moments in their lives. Also, it doesn’t have to be shippy, if you see them just as friends that’s more than alright, this is about the characters, not their romance!

We will be donating the funds made to Breast Cancer Now, the UK’s largest breast cancer research charity. The donations will be given in loving memory of Jacqueline Hill, who would have been 89 this year in December.

It’s all very exciting really. I’m looking for submissions from August 15th to close in October 1st.

All of the details you could possibly need can be found here:

Question 12) What can we expect from you in the future?  

I have a few plans in the future. When Twitch is over I intend to try and draw as much from the New Series as possible, including the spin offs and any of the Big Finish dramas, as there’s really so much to explore. As well as that there are also other aspects of the Doctor Who extended universe to look into, particularly the works of the  wonderful Obverse books, and then delving into Faction Paradox.

One of the exciting projects I can talk about is I’m helping with the cover art, art indents and a short story for a Sarah Jane charity anthology. The official announcement is coming soon!

There’s some other really exciting writing projects I can’t talk about just yet that’s coming up that I want to pitch for / currently writing and drawing for. I’ve been talking to some cool people about some artwork for some more charity anthologies on the way. Lastly there’s two big Doctor Who conventions that I’ll be attending before the end of the year where I will be selling my artwork here in the UK. And I will be continuing to do this throughout the next year.

In other words, watch this space!

Question 13) How can others find out more about you and your work?

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I’m on most social media sites these days. Trying to be active on all pages is difficult but I’m mostly found on Twitter with the handle: @sophilestweets

I am also available on my website www.sophieiles.co.ukFacebookInstagram and Twitch on occasion!

Thank you again, Sophie! Fans, please make sure to check out her social media, art and books! And if you’d like to be part of Time And Relative Developments In Stories, follow the instructions below!

How You Can Participate!

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